![]() She has taught at the Paris Writers Workshop, the Summer Literary Seminars in St. She has served as writer-in-residence at Pratt Institute, Old Dominion University, Thurber House, the Kimmel Harding Nelson Center for the Arts, and Muhlenberg College. She has given readings in dozens of venues, including The 92nd Street Y, Dixon Place, The Poetry Project, Barnes & Noble, KGB, The National Arts Club, and The New School. Times, The Washington Post, The Chicago Tribune, and Newsday. ![]() Her reviews have been published in the L.A. Her short fiction and nonfiction appear in the anthologies They’re at it Again: Stories from Twenty Years of Open City, In the Fullness of Time, The Face in the Mirror, The Other Woman, Best New Writing of 2007, Full Frontal Fiction, and Money, Honey, among others. She has published numerous memoir essays and stories in such publications as Tin House, Evergreen Review, Fence, Open City, Anderbo, Nanofiction, The Los Angeles Review, New Letters, Ms., TriQuarterly, Threepenny Review, Memorious, Creative Nonfiction, St Petersburg Review, and Four Way Review. In 1996 she won the Nona Balakian prize in excellence in criticism from the National Book Critics Circle. Included in her grants are two from the New York Foundation for the Arts, the Kittredge Foundation, Yaddo, MacDowell, VCCA, the Edward Albee Colony, Saltonstall, Djerassi, the Millay Colony, Ragdale, and Poets & Writers. ![]() She is editor of and contributor to the memoir anthology Close to the Bone (Grove). A longtime writer for the Village Voice (1974-1999), she has been theater critic for The Nation and critic-at-large on Fresh Air. Laurie Stone is author of My Life as an Animal, Stories (TriQuarterly Books, Northwestern University Press), the novel Starting with Serge (Doubleday), and the essay collection Laughing in the Dark (Ecco).
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